
Tuesday, October 28, 2014
Observations — 1942, Dark Days of World War II Continued

Saturday, October 25, 2014
Opinion — A Mini-Rant On The Publishing Wars
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Scribner's Bookstore, Books as Treasures (Princeton) |
Nobel Prize winning economist Paul Krugman and the
prestigious Author’s Guild as well as many best-selling authors have pretty
much painted Amazon as super villain and enemy of freedom and democracy. Krugman made the point in a recent column
that Amazon is not playing fair with Hatchette, the last of the big American publishers and that this endangers the American way of life. I’m a fan of
Krugman, the Guild and many of the anti-Amazon authors, most of whom are
gigantic businesses themselves. I have
no doubt Amazon is playing hardball and, as is the case in all major battles,
folks get hurt. It wasn’t long ago that Borders and Barnes and Noble decimated
independent bookstores through predatory location practices getting better
deals from big publisher and therefore offering discounts not possible for the
independents to offer. The marketplace changes, technology evolves, reader
habits respond to the environment.
But let’s look at some facts and put them in perspective.
Hachette isn’t an American publisher. It
is French. That is certainly no crime and its country of origin wouldn’t put me
off one iota, but this publisher, like the others in the Top Five, is also
gobbling or trying to gobble up smaller publishers who, as a matter of
practice, are more open to publishing non-best-selling writers and giving new
writers a chance. The Big Five publishers are global and we need not think of
them as vulnerable little Davids facing the Amazon Goliath. The truth is, at
least for the moment, Amazon provides affordable services for authors and small
publishers who seek entry into the marketplace. These aren’t saints and sinners
we’re talking about but market forces waging battle. Both sides are causing
collateral damage.
The other song being sung to shame Amazon is that the master
on-line retailer considers books to be “products.” I deeply empathize. Books are special in my eyes. They are not
widgets. However different folks look at what we do in different ways. Not only do we create “products,” we create
“content” in some minds, however abhorrent those words are to us.
Do the publishers hold the book to be as sacred as writers
do? Do they hold it in higher regard
than Amazon? I remember reading that
publishers like Random House and Scribners used to keep money aside for
talented writers to keep them afloat when the writer’s books didn’t sell. The
company took a loss for the sake of art and because they considered books more
than widgets. I was lucky enough to
visit the great Scribner & Sons Book Store on Fifth Avenue in New York
before its various metamorphoses. These were hallowed grounds, books as a
religion. There was no doubt the publisher held books in high regard. So when I
hear authors use the product argument, but only against Amazon, I’m more than
wary especially in the age of author James Patterson’s factory-produced novels
and Stephen King, who has a new book out every five minutes. Bless him. He is
tremendously successful because he is tremendously talented; but his one-sided
criticism of Amazon, if not self-serving, rings false to me.
Indianapolis Central Library, A Place Where Books Are Not Products (Tierney) |
And independent booksellers: No doubt Amazon is making life
difficult, but have you forgotten how the big publishers treated you when the big
box bookstores roamed the earth?
I’m not about to suggest the Vatican start the saint-making process
for Amazon CEO Jeff Bezos. If nothing else, he’s been called on to address a
few unpleasant workplace issues. I am
saying that we are seeing the dirty business of big business messing around in
the book business. With only five
publishers dominating the world market, should we be surprised? Seems to me the only entity holding a genuine
reverence for books are public libraries, which have been singled out for
severe budget cuts all across the country.
Thursday, October 23, 2014
Observations — 1961, U.S. Still Obsessed With Communists
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Nureyev Leaves Russian Ballet, Defects |
As Dwight D.
Eisenhower departed as president he warned the nation against the military
industrial complex. John F. Kennedy
was inaugurated. The Bay of Pigs, an
attempt to retake Cuba, failed. The
Berlin Wall was built. Kennedy advised Americans to build “fall out”
shelters. Rudolf Nureyev defected. Yuri
Gagarin was the first person to orbit earth. Two thousand U.S. “military advisors” were in
Vietnam. OPEC was formed. The Peace Corps was created. Adolf Eichmann went on trial as a war criminal. Fidel Castro cancelled all elections in
Cuba. Twenty-seven freedom riders were arrested in Mississippi. New York’s MOMA
displayed Henri Matisse’s “Le Bateau”
upside down. No one noticed for nearly
two months. Ernie Banks played 717
consecutive games. Roger Maris hit
61 home runs in one season. “The Dick Van Dyke Show” premiered on
TV. So did “Mr. Ed.” The Pulitzer Prize for Literature went to Harper Lee for To Kill A Mocking Bird. The
Mystery Writers of America gave its best mystery Edgar to Julian Symons for The
Progress of a Crime. We also read Catch-22 by Joseph Heller, Tropic of
Cancer by Henry Miller, Franny and Zooey by J.D. Salinger and The Agony
and the Ecstasy by Irving Stone.
Bye Bye Birdie won a Tony that year.
In the movie theaters, we watched Breakfast
at Tiffany’s, West Side Story, 101 Dalmatians, The Parent Trap, The
Innocents, The Last Time I Saw Archie,
Yojimbo, The Hustler, Judgment at
Nuremberg, and The Guns of Navarone.
That year Emmys went to Bob Newhart
for Button Down Mind and Theme From A Summer Place by Percy Faith. We also listened to “Tossin’ and Turnin’” by Bobby Lewis, “Michael” by The Highway men, “Crying” by Roy Orbison and “Runaway” by Del Shannon. We lost Ty Cobb, Carl Jung, Ernest Hemingway,
Dashiell Hammett, Gary Cooper, James Thurber, Anna May Wong,
Chico Marx, Jeff Chandler, Charles
Coburn, Marion Davies, and Barry Fitzgerald. Taking their first breaths
were Barack Obama, Eddie Murphy, George Clooney, Princess
Diana, Michael J. Fox, Billy Ray Cyrus, Wayne Gretsky, Woody
Harrelson, James Gandolfini, Boy
George, Steve Young, Tom Ford and Laurence Fishburne. If you
were around, what were you doing during this year of the metal ox?
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1961 Valiant |
Sunday, October 19, 2014
Film Pairings — Two Films From The Seventies, Escape American vs. European Style
I can’t think of two more diverse approaches to film than these
two 1970s crime films. One is American (U.S.) and the other European. If one
needed an explanation of the difference in our cultures, this double feature
should do the trick.
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Steve McQueen and Ali MacGraw |
The Get Away (1972) is about as American as a movie can
get. Sam Peckinpah directed. Arthur Hill wrote the screen play based
on a Jim Thompson novel. There are are guns — lots of guns — car
chases, crashes, fires, explosions, falling elevators, even a potential
hydraulic compaction in the back of a trash truck. McQueen is an ex-con who, in his exchange for what he imagines to be
his freedom, trades his girlfriend and agrees to do a bank heist. We go from bad to worse. No end to treachery. Along the way, the Thompson noir got a
Hollywood detour. Quincy Jones provided some happy ending music. Even so, the movie was a big hit, and despite
its ‘70s sentiment, Getaway is
nonetheless an adventure. You won’t doze off. The casting director deserves an award. Ali
MacGraw costars with merit, and supporting actor Al Lettieri is appropriately and masterfully despicable. Sally Struthers is at her irritating
best.
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Maria Schneider and Jack Nicholson |
The theme of the evening is “escape,” from what to what. In The Passenger we find Jack Nicholson playing British-born
American TV journalist David Locke who is fed up with his wife, his life, and
his job, which has devolved into a shallow practice of a once important
profession. At a remote hotel in Chad,
he discovers that a fellow Western traveller with whom he had befriended has
died of natural causes. The dead man had few ties back in England. Locke
figured that, given the circumstances and with a little tinkering, he could
exchange identities. It was Locke who
would be dead, officially. And the Nicholson character would be reborn as
Robertson, set free from his encumbrances. However, Robertson turns out to have
been a munitions supplier in the Chad civil war. The new Robertson comes into a large sum of
money, but of course cannot deliver the goods.
In this European film, written in part and directed by Michelangelo Antonioni, the threats are
more implicit than manifest. The
character’s philosophically existential dilemma is more important than his
physical survival.
The Passenger
(1975) is a slow, beautiful film. While Getaway
is nearly all action, The Passenger
slows so you can see the amazing stream of still photographs that make up the
whole. The life force in the film, however,
comes from actress Maria Schneider,
who plays a young and eccentric "passenger,",if only the main character would
get it. She is a sprite who does her best to help a human (Nicholson) find what
he is really searching for.
Oddly, at the end of Getaway,
Steve McQueen tells Slim Pickens, “I
hope you find what you’re lookin’ for.”
The thing is that the Slim Pickens’ character, hardly pivotal, was the
only one (in both movies) not looking for anything and seems quite content.
The roughly four hours watching these two movies are spent
in hot, dry and desolate places. To help
you endure your cinematic surroundings, put some ice into a glass with tequila
or rum to stay cool. Lemonade is nice
too.
Thursday, October 16, 2014
Observations — 1943, TV Had Yet To Kill The Radio Star

Sunday, October 12, 2014
Book Notes — Blatant Self-Promotion: Is Indianapolis PI Deets Shanahan Back For His Last Case?
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Killing Frost, Shanahan's Last Case |
This is the description of Killing
Frost:
At seventy-two
Deets Shanahan is still reeling from brain surgery. He is ready to “check out.”
But fate has other plans. As he waits for the arrival of a mysterious,
unwanted, yet insistent new client, he spies a car pull in his driveway.
From his window, he sees a lady head toward his front door. This is the first
time he sees her and the last time he sees her alive.
Her death leaves too many questions. What did she want with Shanahan? Why was she
killed? And what can he, in his condition, do about it? Shanahan’s obsessive
search for answers will uncover a disturbing trail of greed, lies, ambition, sibling
rivalry and police corruption.
Twenty-five years
ago Shanahan embarked on his first case. This case is likely his last, a
touching story of age, infirmity — and love.
My first book in the series, Stone
Veil, was welcomed by The New York
Times saying the elderly detective made a “good first impression.” The
Private Eye Writers of America agreed, nominating the book for that year’s
Shamus Award in the “best first P.I. novel category. Killing Frost is the 11th in the Shanahan series, all of them set
in my hometown, Indianapolis.
Over the years, the critics have been generous in their praise.
"Tierney's 'Deets' Shanahan series,
Stone Veil, offers characters of depth and sensuality, and well-placed swipes
of razor-sharp humor." — Publishers
Weekly
"A series packed with new angles and
delights." — Booklist
Severn House, which has published the last seven Shanahan books,
has announced Killing Frost, in hardback,
will be available in the U.K. on January 1 and in the U.S. on May 1. If you’d
like to pre-order at Amazon, click here. For Barnes & Noble, click here. I’m not sure when the other
formats will be available. Reviews — the good ones, anyway — will be posted as
they arrive. And I’m sure more blatant promotions will follow as the official
release dates get closer.
Thursday, October 9, 2014
Observations — 1939, “We’re Not In Kansas Anymore” and “Frankly I Don’t Give A Damn.”
World War II began. The long, lost Judge Crater was declared dead, though no one seemed too sure about
it. Unemployment was at 17.2 percent. The U.S. Supreme Court outlawed “sit
down” strikes. Eleanor Roosevelt
resigned from the Daughters of the American Revolution when they refused to
allow opera great Marian Anderson (a
Black woman) to perform at Constitutional Hall in Washington, D.C. France banned the guillotine. DDT was
developed. Albert Einstein advised Franklin Roosevelt regarding the
possibilities of an atomic bomb. Pope
Pius XII congratulated Generalissimo Francisco
Franco on his victory in Spain. King
Faisal II took over in Iraq. Mahatma
Gandhi began fasting in India as a
form of peaceful protest against the British.
The Massachusetts legislature finally ratified the U. S. Bill of Rights. Also tardy, Connecticut followed suit a short
time later. The New York World’s Fair welcomed visitors. Wilbur Shaw won the Indianapolis 500. The Baseball Hall of Frame
opened. Lou Gehrig retired, announced his illness. He suffered a disease
that would later bear his name. Batman
was introduced. Superman first appeared in the newspapers. Frank Sinatra cut his first record.
In music, most of the Top Ten spots were held by Glenn Miller and his Orchestra, including “Over the Rainbow.” Larry
Clinton’s “Deep Purple” and “Beer Barrel Polka” by Will Giahé were
exceptions. The Academy Award for
the previous year’s best movie went to You
Can’t Take It With You. Both Gone With The Wind and The Wizard of Oz premiered this year. It
was a great year for soon-to-be film classics.
Others were Dark Victory, Wuthering Heights, and Goodbye Mr. Chips. The Pulitzer Prize for Literature went to Marjorie Kinnan Rawlings for The Yearling. Other books that appeared
that year: The Grapes of Wrath by John Steinbeck, All This And Heaven Too by Rachel
Field, Rebecca by Daphne du Maurier, Wickford Point by John P.
Marquand, Escape by Ethel Vance and Disputed Passage by Lloyd C.
Douglas. Some major figures passed
away in 1939. Among them were William Butler Yeats, Sigmund Freud, Zane Grey, S. S. Van Dine
and Ford Madox Ford. Among those born were Tina Turner, Ian McKellen,
Seamus Heaney, Ralph Lauren, Marvin Gaye,
John Cleese, Harvey Keitel, Phil Spector,
and Lily Tomlin. If you were around,
what were you doing during this year of the earth rabbit?
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