Using the vernacular of the times, Joan Crawford was a “tough broad,” and she usually played one. In
both Mildred Pierce (1945) and in Sudden Fear (1952) she had the
opportunity to reveal her ability to portray characters of a little more
emotional depth. She won an Academy
Award for the title role in Mildred Pierce
and received another nomination for her principal role in Sudden Fear.
Mildred Pierce was
revived with a new production on Cable to high acclaim and is just one of many
movies made from books by James M. Cain (The
Postman Always Rings Twice and Double
Indemnity among them). The original
b&w classic was directed by Michael
Curtiz, who also did Casablanca. William
Faulkner reportedly contributed to the screenplay. With Academy Award winning cinematographer Ernest Haller, who picks up great
backdrops in Los Angeles (Pasadena and Santa Monica), behind the lens, there’s
plenty of talent putting this classic altogether.
Mildred’s daughter, played by Ann Blyth, wants the good life.
She is ashamed of her mother’s lowly beginnings and prompts Crawford’s
character to seek wealth and status by nearly any means to please her
daughter’s ambition. Blyth is outstanding as the heartless, manipulative girl
with the innocent façade. She and Eve Arden were both deservedly
nominated for Best Supporting Actress Academy Awards. Jack Carson plays a sleazy business partner and Zachary Scott is the slippery gigolo who
gets it in the end and very much in the beginning.
My favorite of the two is Sudden Fear. We spend most
of this movie in San Francisco with Jack
Palance trying to live off an extremely wealthy widow. Joan Crawford plays the widow who is also an
immensely popular playwright. Palance is
an actor who was 86’d from Crawford’s new play and is determined to get revenge
— killing with kindness. Crawford is taken in by the romantic overtures, but by
accident discovers that Palance and his criminally inspired girlfriend (noir’s
standard bad girl, Gloria Grahame)
want to do her in. Hence, Sudden Fear. But Crawford’s character is no pushover, and
life and death become a bit more complicated for everyone. Like Mildred Pierce, Sudden Fear was nominated for a number of Awards including Academy
nominations for Palance, costume design and cinematography — great work by Charles Lang, Jr.
My recommendation for drinks this drizzly cinematic evening
is keeping is simple. A fine whiskey,
not the cheap stuff, goes well with the hard-drinking roles played by Crawford
and her worldly friends.
2 comments:
I disagree. Mildred Pierce has more heart and allowed Ms. Crawford (the original big-shouldered broad) the chance to show a bit more range--devoted mother, hard-working, goal-driven woman, friend, vulnerable female. As for what to drink while watching?? I'd say coffee in a white china diner mug.
I can certainly understand your point of view. Mothers, daughters and all that. And from all points of view, Pierce might be a better movie. But I liked the double twist of revenge that set the plot afloat and then at the end of Sudden Fear, which is by the way, a really silly title. I can imagine a group of producers coming up with that. The next movie could be Immediate Terror or..... The cinematography was great in both. And then there's Eve Arden.
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