At least once a year, I watch all six Thin Man movies. It is my own little festival. I have a comfortable chair and a relatively large flat screen TV in my small apartment in San Francisco. I am the only festival attendee, so it’s just me and a bottle of Cabernet. I don’t come to this subject with any particular expertise, no deep knowledge of Dashiell Hammett. It’s as much nostalgic as anything else. When I was young these films were on the late-night movies that followed the local news. A shamelessly self-promoting Indianapolis used car salesman who called himself “The King” hosted the program. He stood in front of a blackboard (as high-tech as it got in those days) slashing prices on various automobiles as he yelled, “The King don’t care.” Then we would go back to a grainy but charming Nick and Nora Charles and that wonderful blend of suspense and comedy, bright wit and dark shadows, the high life and the low life. If that wasn’t the birth of my love for private eye stories, it certainly enhanced it. Such was the life of the young me in a hide-a-bed, with the black and white television flashing noirish shadows on the wall.
New Book From Mysterious Press |
This little festival of mine seems particularly appropriate
as we usher in 2013 (Year of the Snake, incidentally). A book of the previously unpublished Thin Man
stories written by Hammett has just been published by Mysterious Press —Return of The Thin Man. What some might not know is that The Thin Man was the last novel Hammett
wrote. That lone book was the basis for the popular film that launched five
sequels, none of which were based on novels.
However, as we discover now in this new book, he did write two pieces,
the editors call “novellas,” that relate to the next two Thin Man films, After The Thin Man and Another Thin Man. My guess is that these
pieces weren’t meant as standalone anything, but rather as story maps for the
studio to take advantage of the popularity of the first film to create a
franchise. There was money to be made for everyone at a time when it was
difficult to make money. The book’s
editors, Richard Layman and Julie M. Rivett, imply this. The Hammett novellas are essentially
treatments. Fascinating nonetheless.
Lillian Hellman and Dashiell Hammett |
For some, the editors’ introduction to the two short pieces
will add to our understanding of this stage of Hammett’s life. Surely the
Continental Op was most reflective of the famous author’s early Pinkerton
days. And Spade was a loner. Nick, on the other hand, had found his Nora
when he embarked on The Thin Man. And it doesn’t take a genius to see how
Dashiell Hammett and his relationship with Lillian
Hellman, however fictionalized and idealized it might be, inspired the hard
partying, devil may care Nick and Nora idea. The editors also reveal the
studio, writer, actor relationships, including the contributions made by the
great screen writing team of Frances
Goodrich and Albert Hackett as
well as director W. S. Van Dyke, the
people responsible for the first three, and possibly best Thin Man films.
Myrna Loy and William Powell as Nora and Nick |
The year 2013 is also the year The Thin Man was to be remade, though it may not happen. Johnny Depp, who was to play Nick, has
a complicated life — all sorts of projects and apparent personal issues. The remake was to go into production in
November, I read, after Depp wrapped up his new and apparently expensive Lone
Ranger film. It could still happen. The search is still on for an actress to play
Nora. Another thought, perhaps a descendant of Eddie, from the TV sit-com
“Frasier” could play Asta. After all,
the real Asta was a schnauzer, not a wirehair fox terrier as the dog is
portrayed in all six films. So what would be wrong with a Jack Russell terrier
taking he part? This is Hollywood.
If you want to have your own festival, here are the Nick and
Nora Charles films in the order they were made, noting that Hammett had
decreasing influence on the final cut and virtually none for the last couple.
The Thin Man — This is the one that started them all, the one
based on an actual Dashiell Hammett novel and made William Powell as Nick Charles and Myrna Loy as Nora Charles one of America’s favorite film couples. The film has a Christmas-New Year’s holiday
theme, though I’m happy to say, it’s in the background. Maureen
O’Sullivan plays the only sane member of a crazy family and a young and
debonair Cesar Romero plays a
gigolo. What else? The film is a
fantastic reflection of the times. We
get a glimpse of post-depression, post-prohibition 1934.
After The Thin Man — This is one of my favorites. One of the reasons is that the lovely couple
return to San Francisco and also because it takes place on New Years Eve. Perfect for tonight. Jimmy
Stewart co-stars. Look for the usual brawls, a few red herrings, a great
nightclub in Chinatown, and glimpse of the city’s bustling Market Street of
1936.
Another Thin Man — Baby makes three. Sheldon
Leonard plays the heavy in this film set in Manhattan and Long Island. A
creaky old mansion and creaky old people, says the creaky blogger, as well an
elaborately designed murder and a slew of petty ante gangsters inhabit the
whodunit. Watch for the big production
number.
Shadow Of The Thin Man — We’re back in San Francisco and off to
the races. Donna Reed, Stella Adler and Barry Nelson are in the cast of this mystery featuring such
characters as Spider Web and Rainbow Benny (they may be the same person, I’m
not sure). Pay attention to the wrestling match scene. Nice twist at the end. This time the big brawl is at an Italian
restaurant at Fisherman’s Wharf.
The Thin Man Goes Home — Maybe because it’s the small town
backdrop. Maybe it’s because Nick has
given up his martinis for apple cider and it seems to have turned him into Ozzie
Nelson. Whatever the cause, this is my
least favorite. While all the films
offer some wonderful silliness, this one just seems contrived without
redemption of a knowing wink. If you had
to cut one from this list, this would be it.
Otherwise, it’s worthwhile just to know you saw them all.
Song Of The Thin Man — It’s nice the series didn’t end on a low
note. This one bounces back. New producers, directors and writers. Though the
last couple of films were only based on “characters created by Dashiell
Hammett,” this one finds the formula. The film also benefits from a great
supporting cast that includes one of my favorites from the “B” picture cast of
characters, Gloria Grahame, plus Keenan Wynn, Jane Meadows, and a very young Dean
Stockwell as Nick and Nora’s son. We
are treated with ‘40s jazz, a floating casino and nightclub (Shades of Mr. Lucky), wet, foggy nights, and a telltale
necklace. One of the pleasures is to see
the stylish couple thirteen years after the first film, still elegant, still
funny.
If you are so inclined, think about a Thin Man Weekend
Festival. Light-hearted, celebratory and certainly old lang syne.
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