Showing posts with label Indianapolis history. Show all posts
Showing posts with label Indianapolis history. Show all posts

Monday, November 7, 2016

On Writing — Fiction As History

The Early Shanahan novels
Occasionally I receive comments from people who have read some of the early books in my Shanahan mystery series.   These notes usually come from people who live or have lived in Indianapolis. Rarely are the comments about the plot, though critics at the time were complimentary. Some are about the main characters – Deets Shanahan and his love, Maureen.  But most of the sentiment is about bringing back memories. The 11 novels in the series set in Indianapolis cover 25 years in the life of the Circle City beginning with The Stone Veil in 1980. History is an unforeseen, but happy consequence of fiction.
I haven’t been the only one.  In fact I wasn’t the first one or necessarily the most prolific.  The acclaimed Michael Z. Lewin not only originated the first series featuring a fictional Indianapolis P.I., but is also credited with popularizing the idea of a regional P.I. series. Many others followed.  My Deets Shanahan character also came after Lewin’s Albert Samson.

Michael Z. Lewin

Lewin and I are roughly the same vintage. However he began writing younger in his life.  Counting his Leroy Powder cop series, Lewin has used Indianapolis as a setting for 11 crime novels with a history going back to 1971 with his first Samson novel, Ask The Right Question, among those being re-released as I write.

Re-released
I have inadvertently been part of recording this city’s history when, as its first editor, I helped found NUVO Newsweekly, the longest serving alternative newspaper in the city’s history. Long after I was gone it continues to chronicle my hometown and is a powerful, on-going historical reference. However, I would suggest that fiction could go beyond the news as a historical document in many ways by creating the mood, the ambiance and an in-depth characterization of its neighborhoods, restaurants, transportation and particularly its inhabitants.

There are those, of course, who dismiss genre fiction, including the P.I. novel as something less than respectable. The Shanahan mysteries are definitely genre fiction, as are the Samson novels. We gain a sense of the place in time in a way that may not be academic, but in a fluid, experiential way.




Wednesday, March 18, 2015

Two Indianapolis Traditions Turn 25, Reflect City’s History

Tackling The Tough Issues

A quarter of a century ago, 1990, my long time dream of starting an alternative news weekly for Indianapolis came true. It was also a passion of another guy, Larry Rainey. I didn’t know him. My good friend, Teri Thompson Crane, who knew of our shared interest put the two of us together.  We visited others who knew something about such an undertaking, content, production costs, marketing, format, design and distribution,  He and I worked diligently as editor and publisher, respectively, to create NUVO Newsweekly, a tabloid weekly that would interrupt the unchallenged dominance of the famously conservative and jointly owned Indianapolis Star & News.
Cutting-Edge Style

As it is with any start-from-scratch publication, the launch of NUVO was rough and wasn’t without its difficulties and soon after, its casualties. Months later, amidst considerable turmoil, Kevin McKinney, who had critical access to funding in the early stages, became publisher and eventually editor as well. He and his staff have given Indianapolis an important alternative voice for 25 years — and counting. Given the entrenched competition and rapidly changing media technology, this couldn’t have been an easy task.  

NUVO is celebrating this unquestionable success this month.  The full story of its birth is worth telling, and I expect to provide perspective on those very early days at some point. But, for now, an unqualified happy anniversary to NUVO!

The Early Shanahans
As NUVO emerged in 1990, so did the Stone Veil. I was honored to have the first in a series of my private eye mysteries set in Indianapolis published by St. Martin’s Press. The book even had the cautious blessing of The New York Times: “The pragmatic investigator makes a good first impression,” it said.  Twenty-five years and eleven Shanahan mysteries later, I can also celebrate its quarter-century anniversary with the release of the series’ last novel  Killing Frost.

Writing the Shanahan mystery novels has strengthened the link I have with the city of my birth.  I grew up on the city’s Eastside and spent many of my adult years working downtown and living in Butler Tarkington and Broad Ripple. I also lived briefly in Fort Wayne, South Bend and Bloomington.  I worked at Merchants National Bank travelling to small town banks all over the state. I worked at Simon during the rebirth of downtown Indianapolis’ Circle Centre Mall project and later still, in state government during the Bayh-O’Bannon administration.  What I observed and experienced in my work and in my personal life became part — ‘grist for the mill” – of Shanahan’s world. The mysteries, taken retrospectively, reflect the history, or at least the feeling of both Indianapolis and Indiana over 25 years as much, I think, as the newspaper I helped bring to life.  Both chronicle the city’s history and — to a greater or lesser extent — are part of it.

I hadn’t thought of the historical aspect when I first discovered that the 25th birthdays of NUVO and the mystery series aligned, but it is clear to me that my connection to the city was at the heart of both undertakings, not to mention that for many of us the cities and towns of our youth are deeply part of who we are no matter where we are.

The Last of the Shanahans
I’ve since moved to San Francisco, writing books set here as well as in Indianapolis. But as I rummage through old photographs, the earliest issues of NUVO and in revisiting my early Shanahan books to prepare them for digitalization, I realize how tethered I am to the people and places in and around the city of my birth.

If the oldest memories die last, then most of mine will be in Indianapolis: Summers at the pool at Ellenberger Park. Cheap matinees at the Emerson Theater.  Being a soda jerk at Laughner’s Steer-In, now Harold’s Steer-In. Crab apples and switches from the tree that bore them. My grandmother’s peonies in May, and the smell of hot starch when she ironed. Riverside amusement park, where water fountains were labeled “ white” and “colored.” My grandfather’s lemonade. Winter nights on my newspaper route, delivering what would be a future rival, the Indianapolis News – Blue Streak Edition. Two little chicks my brother and I got during a supermarket Easter promotion grew up to be large, intimidating roosters that refused to let my mother into her own backyard. It was downtown on Saturday afternoons.  I remember lying about my age and sneaking into the Fox Theater to see the sad, tail end of burlesque, in this case a live show interrupted in the middle by a grainy film, Nudist Colony On The Moon. Other memories: My first visit to the Betty K Club.  My apartment at the Ambassador, where I was introduced to Purple Haze — not the Jimi Hendrix classic, but heroin laced LSD.  My little studio was behind the city’s grand, Central Library, where, in the stacks, I received my real literary education, and a place I still revere as hallowed ground.

There was much more to follow, of course – the Army for one and the whole San Francisco experience for another.  But no matter where we end up, we take with us in one form or another that which moved us  — family, friends, lovers, co-workers, experiences, what we’ve said, what we’ve done and, for better or worse, how we’ve treated others. Roads taken, and so many not taken. 

Twenty-five years ago. Good luck NUVO. Farewell Shanahan. Thank you Indy.





Wednesday, June 12, 2013

Rant — Even In The Smaller Histories, We Tend To Honor The Male


I love Wikipedia, fallible, as it has to be simply because of its democratic nature.  Time also makes it favorable to fresher information readily available digitally or the already ensconced subject is followed faithfully by legions devoted to established icons.  This is true of Google as well.

I had occasion to look up the entry about the family business in Indianapolis — Laughner’s Cafeterias, the birth of which is fixed at 1888.  It continued well into my lifetime as well as into my life.  I marvel at the history, which is far richer than the entry.  The Laughners were candy makers — chocolate, taffy, peanut brittle, hard-ribbon candy.  And while there are other claims, it’s quite possible that the Laughners invented the “cafeteria” when they opened the Dairy Bar with a tray rail and a steam table in the 19th Century and smoothing out the wrinkles in the 1920s. The family also sold food and fruit drinks at fairs, carnivals, Riverside Amusement Park and the Indianapolis 500. Generations were involved. The family was embedded in the work and play of the city.  Me too, later.  One couldn’t escape it.  It was the family business and if the family needed you, you went

Flora May Laughner-Brock, Claude F. Laughner
Claude Laughner, the founder’s son, was the dreamer, schemer, entrepreneur.  He didn’t get much credit for his participation in the city’s restaurant history. And we will always regret his answer to an invitation to invest in Coca Cola.  He spit it out and said, ”this stuff will never sell.” I could be writing this from my private deck on the Riviera. However, he kept things going, and pretty well at that, until bankers started jumping out of windows.

What bothered me most when I read the Wiki entry was that one of the most important contributors to the legend, such as it is, or to its longevity, which is at least notable, was a woman, though like most such histories, we are exposed to the noble lineage of the male children.  What happened was the Depression destroyed everything. The restaurants fell on hard times. The family could barely scrape by. The Laughner heritage was about to be shattered.  Claude’s wife, a smart, determined, hard-working person ended up starting three cafeterias on her own, when not only were the times not favorable for business in general, but when most women would simply not have undertaken the challenge because they were women.

It is true these were not cutting-edge destinations.  They were essential bridges in the legacy only she could manage. And it is true that there was an exciting (The story of which merited a long New Yorker piece) renaissance for Laughners that was built on the foundation she put back in place, admittedly inspired by more than a little creative genius from the next generation. But Flora May Laughner-Brock is a key figure largely ignored by those who benefitted by her business savvy and her desire to support her family.  Without her, the Laughner history would have ended earlier and, quite possibly, with far less accomplishment, certainly without the continuity.  Bless them all, but it wasn’t all about the boys.

Sadly, much of it is lost now.  Harold’ Steer-In, originally Laughner’s Steer-Inn, is a hot spot on the city’s East Side.  Down the street from the seedy, legendary Al Green’s Drive-In on Washington Street, was the slicker, but far less scandalous Laughner’s Double L.  The super deluxe Laughner cafeterias are all gone now, as is Jonathans, a fine dining restaurant named after the founder.  MCL, which possesses a snippet of Laughner DNA from the 1950s, still exists.