These are stories about how one unintentional event can
change lives forever. While they are crime movies, A Bad Day To Go Fishing and Young
Adam are not thrillers. They are not action films. They are not really
suspenseful. And in both cases we, as viewers, are entering worlds that are
very real but likely very unfamiliar.

A con man, no doubt self-dubbed Prince Orsini, arrives in a
small town with one fine suit and his prize possession, a former grand champion
professional wrestler. They rent a hall
where the wrestler lifts things like tractor tires, bathtubs and other random
heavy items as an act in a show of jugglers and fire-eaters. But the real payoff is the final show of
their stay, when the former champion of the world takes on a challenger from
the village. If the challenger can stay
in the ring for three minutes, he gets a thousand dollars. The fact is the elegantly decadent Prince
doesn’t even have the thousand dollars. He flashes a few big bills wrapped
around worthless paper. If the
challenger succeeds, it would be an embarrassment and most likely punishable by
jail time. Though the wrestler is a bit past his prime and drinks heavily, he
is what he is purported to be — a former champ.
And the Prince has never had to pay off.
No doubt you are ahead of me here.
Basically the con’s bluff is called. A quality challenger is found. Behind and beneath the plot is a story about
love and loyalty, greed and desperation.
A fine, fine story, well acted and well worth your time if you can stand
a little quirk here and there.

Though the characters don’t live in a world where the
subject of sex-addiction is likely to come up, Young Adam is a sex addict. He’s not only a boy who just can’t say “no,”
he is a boy who can always get the girl to say, “yes.” The idea that he might settle down with the “right”
woman is not part of his nature. He
travels light and can pack his bags in seconds.
But there some things you can’t escape, aren’t there? Even if you find no value in the story — and
I say that because the film is morally desolate — Swinton especially reveals a
frightening ability to inhabit an empty being.
She is, as usual, incredible here.
Drink Scotch.
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