This double feature doesn’t permit you to escape into a
better world. Of course, we don’t expect that from films about murder for the most part. Crime films are often dark and leave the
viewer depressed about the human condition. Many though are suspenseful. They make us curious. Crimes are solved and satisfaction is
achieved because the bad guys pay for their evil doing. These two films are different. The Last Word and Into the Abyss are documentaries about how murder is dealt with in
Texas. It isn’t pretty. And rather than having satisfying ends, these
films will more than likely just piss you off.
Innocent and Executed |
The Last Word
presents us with a corrupt system. I’m
not giving anything a way by saying that the person convicted of the rape and
murder of an elderly nun didn’t do
it. In an odd twist, this isn’t a story
that casts doubt on someone’s conviction because of some “bleeding heart”
liberal bias against the death penalty. Seventeen-year old Johnny Frank Garrett did not kill her. The facts are clear and they had to have been
clear to the prosecuting attorney and they had to have been ignored by the
defense attorneys appointed by a judge up for reelection in a community out for
blood. The facts of the case were
ignored by then Governor Ann Richards, who, it is claimed, reluctantly went
along with Texas’ “death machine” to make sure she stood a chance against
George W. Bush who was vying for her job.
The first and last few minutes of the film are a little
heavy-handed, trying a little too hard to pit good versus evil in a
melodramatic otherworldly battle.
However, the story is the story.
The facts are explored. And they
damn the government of Texas. To this day, no one is allowed to examine the
records. But it really doesn’t matter,
the truth was available at the time. And
time has only supported the boy’s innocence.
Werner Herzong's documentary on the Death Penalty |
Meanwhile, Werner Herzog’s documentary, Into The Abyss, took on a different challenge. While Johnny Frank Garrett in The Last Word was innocent, it is likely
that Michael Perry and his friend Jason Burkett were instrumental in the deaths
of three people in the name of a shiny red Camaro. The film makes no attempt to explore guilt or
innocence, or even corruption. His
camera and interviews focus on the death penalty itself. He talks with both perpetrators and he talks
with their families and the families of the victims.
Be prepared to get to know people you think you don’t want
to know and understand what you wish you didn’t. For me, the most powerful testimony came from
the manager of the death unit. He had
managed the endgame for more than 120 executions. He was a professional, carrying out the laws
of the land. One day, this sturdy Texan,
who seemed uncomfortable talking about his feelings, tells us he fell apart. They
had just completed an execution. It had gone off as planned. Nothing out of the ordinary. But he said he just started shaking. He didn’t know why. It had never happened before. He couldn’t stop shaking. He couldn’t go to work the next day, nor the
next. In fact, he never went back. He doesn’t regret his decision, even though
he lost his pension.
A couple of tough films.
Sometimes we’re in the mood to get a glimpse of some of the harsher
realities. If you can, take a look. If not, there are a couple of well-done
Bourne Identities to watch. If you do
watch these two, drink something hard, maybe just over the rocks. And do this only if you promise you will not
drive afterward and that there are no guns in the house.
No comments:
Post a Comment