Dick Francis, most Edgars |
During the last 30 days or so, it has been award time in the
crime fiction world. Not the winners,
but the nominees. There are dozens and
dozens of organizations wanting to give crime writers their due, not only for
best novel of the year but also in many sub-categories — best first novel, best
paperback original, best short story, etc. — all vital to the genre. Many of the most coveted awards will be
announced this fall as the Mystery Writers of America (MWA) holds its annual
convention — Bouchercon.
Should we care? These
are difficult times for everyone who reads, writes, reviews and publishes crime
books. Even the professional organizations are struggling to find ways to
acknowledge and honor contributors while the dramatic changes in e-book and self
(independent) publishing have complicated the way they have been doing so since
they began doing business. Anybody can publish a book. And sometimes, it seems, everyone is. To be fair and inclusive is nearly
impossible. Some, MWA for example, have adjusted submission criteria. Others have added categories. In any event, awards
no matter what shape they may take, will likely remain part of many readers’
vetting process.
Laura Lippman, picking up the prizes |
Paying attention to formal accolades is not the only way to
find good books, particularly if you are interested in
establishment-challenging sub-genre books and break-out-of-the-box, emerging
writers. However, most of the library-going and book-buying public are
traditional readers. They are looking
for something new or different to read with some assurance they are not too far
out of their comfort zone. Browsing a list of award winners isn’t a bad place
to start.
I’ve picked five professional crime-writing related organizations
that have been honoring writers with awards since (at least) the year
2,000. Some have been doing so longer. To
contemplate who, among contemporary crime writers, might be considered best of
the best, I checked the following award histories to see who won the “best
novel” award more than once. Here are
the results:
MWA (The Edgar)*
Historically, Dick Francis picked up the most Edgars with
three. James Lee Burke won two prior to
2000. In this century, John Hart and T. Jefferson Parker have picked up two,
Hart for successive novels.
John Hart, up and coming |
Mystery Readers
International (Macavity)
Michael Connelly, Nancy Pickard and Peter Lovesey have each
won two since the first award was given in1987.
Deadly Pleasures magazine (Barry)
Michael Connelly and Laura Lippman have each garnered two.
Private Eye Writers
of America (PWA) (Shamus)*
From the birth of the Shamus in 1982, Sue Grafton has been
honored with the award three times, Max Allan Collins and Bill Pronzini twice. Also, since 2000 Ken Bruen and Reed Farrel
Coleman have picked up two.
MWA (The Anthony)*
Michael Connelly has received four Anthonys. Louise Penny, Sue Grafton and Laura Lippman
have been awarded the prize three times. S, J. Rozan and William Kent Krueger
have each won twice.
Other Notes
In 2008, Laura Lippman won three of the five top awards for What The Dead Know. In 2011, John Hart also received three of the
five major prizes with The Last Child.
The Edgar for Best Novel of 2013 was announced at ceremonies in New York
earlier this year. Dennis Lehane picked
it up for Live By Night.
Click here for the complete list of 21st century
“best novel" winners from the above organizations.
*To clarify, MWA has two awards, the Edgar determined by the
organization and the Anthony determined by a vote of the membership. To qualify for PWA’s Shamus, the novel must
feature a P.I who is paid for his or her work.
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