Showing posts with label Clifton Webb. Show all posts
Showing posts with label Clifton Webb. Show all posts

Friday, May 18, 2012

Film Pairing: A Night of Icebergs and Sinking Ships



Many thanks to Ron Tierney for letting me play with a variation of his film pairings, which usually look at crime films. My film pairing coincides with the 100th anniversary of the sinking of the supposedly unsinkable White Star liner, Titanic. — Janet Dawson

No, I’m not going to discuss that movie from the late 1990s. Instead, I’ll look at two earlier versions of the disaster, both from the 1950s.

The first is Titanic (1953), which stars two Hollywood stalwarts, Barbara Stanwyck and Clifton Webb, giving superb performances as an estranged married couple who’ve been living a life of ease and superficiality in high society Paris. The cast also includes a very young Robert Wagner as a suitor for Stanwyck’s somewhat snooty daughter, played by Audrey Dalton. Brian Aherne plays the ship’s captain, E.J. Smith, and the redoubtable Thelma Ritter puts in an appearance as Mrs. Maud Young. Never mind that character’s name – Ritter is meant to be Mrs. Margaret Tobin Brown of Denver and Leadville, aka the “Unsinkable” Molly.

The film starts with an unsettling image of an iceberg calving, a hint of what’s to come. Then the action switches to Cherbourg, France, where Stanwyck and her son and daughter board the ship. She’s leaving her socialite husband, Webb, and returning to the United States so that her children will have a normal life.

But Webb has discovered this and he’s in pursuit. He manages to buy a ticket from a steerage passenger and boards the ship. He makes his way to first class and assumes his paterfamilias role without missing a beat, convincing his daughter to return to France with him as soon as the ship docks in New York City. The son, who is younger, is another matter. The verbal clashes between Stanwyck and Webb, sparring over the fate of their marriage and their children, provide much of the drama.

Until the ship hits that iceberg. Then it’s women and children to the lifeboats. Faced with the prospect of never seeing one another again, Stanwyck and Webb discover they still care for one another – and things they never knew about each other.

Titanic was directed by Jean Negulesco. Writer Charles Brackett won an Oscar for Best Screenplay. The film, available on DVD, is well worth seeing.

For my money, the best version of the Titanic disaster is A Night To Remember (1958), directed by Roy Ward Baker. This British film is based on Walter Lord’s book of the same name, and the screenplay was written by thriller writer Eric Ambler.

The only actor in the film with what could be considered a starring role is Kenneth More, as the ship’s Second Officer, Charles Herbert Lightoller, who survived and was instrumental in organizing the loading of the lifeboats. David McCallum, who appeared in The Man From U.N.C.L.E., and is currently “Ducky” in the popular NCIS television series, plays radio operator Harold Bride. Laurence Naismith plays Captain Smith, while Michael Goodliffe plays the ship’s builder, Thomas Andrews. Tucker McGuire does a notable turn as Molly Brown, as does George Rose as a tipsy baker.

The real star of A Night To Remember is the ship itself, its life and death. This is how it differs from the other version, needing no other drama except that which occurred that night.

The film has a documentary feel to it, full of vignettes of people traveling about Titanic – a pair of aristocrats, some honeymooners, a group of Irish steerage passengers, a professional gambler. The film is full of wonderful bits, showing ordinary people, like the stokers feeding the fire in the bowels of the ship, and the stewards setting tables in the dining room. Many of these bits are based on Walter Lord’s interviews with survivors, which adds to the verisimilitude.

The movie touches on the ice warnings that were ignored, as well as the class distinctions that kept the steerage passengers below while first and second class passengers filled the lifeboats. It also gives glimpses of the ship Carpathia, steaming at full speed to for a too-late rescue, while the Californian, which was closer, doesn’t respond to distress signals and rockets, its crew seemingly unable to grasp the urgency.

A Night To Remember has just been released on DVD in a great new digital restoration. I highly recommend it.

What to drink while watching these films? After several hours in a lifeboat on the freezing North Atlantic, I’d opt for a bracing hot pot of Earl Grey tea, accompanied by scones with clotted cream and a tart lemon curd.

Janet Dawson has written ten novels featuring Oakland private investigator Jeri Howard. Her first, Kindred Crimes, won the St. Martin's Press/Private Eye Writers of America contest for best first private eye novel and nominated for three other prestigious mystery awards, the Shamus, the Macavity and the Anthony.

                           

Friday, April 20, 2012

Film Pairings — Before They Were TV Stars

Ann Sothern was “My Secretary” and starred in another popular sitcom called the “Ann Sothern Show.” Raymond Burr was “Perry Mason” and, later, “Ironside.” Lucille Ball was Lucy in the classic “I Love Lucy,” which is still in endless reruns and William Bendix was dad in an early TV show “Life of Riley.” But before television capped their careers (Ball and Burr probably couldn’t have outdone or escaped their iconic television characters), these small-screen legends were stars (lesser perhaps) on the big screen. TV’s crazy comic Lucy, was a vamp in The Dark Corner. We see lots of leg. And Burr, the upstanding Perry Mason (though Mason wasn’t quite so upstanding in the novels), was the heavy in The Blue Gardenia.

With this double feature, we are revisiting directors Henry Waxman and Fritz Lang (See Kiss of Death and The Big Heat — The Birth of Two Villains). The Dark Corner is the story of a private eye (Mark Stevens) who is trying to go straight after a stint in prison. However his shady past makes him the perfect fall guy for a murder someone else commits. William Bendix, TV’s lovable comic dad, plays an even shadier private eye and Clifton Webb is the sophisticated (witty, what else?) art dealer with a clever plan to get rid of his younger wife’s lover. The plot has enough twists and turns and talented supporting players to make this a very worthwhile film. Lucille Ball plays the secretary to the reformed P.I. and is, in fact, his backbone. There was a comic turn in her fine performance now and then, but not the broad comedy she would show the world later.

At roughly the same time Lucille Ball was making the move from film to TV, the lovely, more cynical Ann Sothern did the same, also with considerable success. Before that, she had a successful career playing the pals of the ingĂ©nues (Anne Baxter in this case). Raymond Burr in Fritz Lang’s The Blue Gardenia, is the believable womanizer and murder victim. He plies the sweet and innocent Baxter with Polynesian Pearl Divers, an umbrella’d drink of super potency. She goes home with Burr and blacks out. When Burr ends up dead, all signs point to Baxter as the murderer. Even she believes it might be true. She seeks help from newspaper columnist Richard Conte. The story isn’t as strong as The Dark Corner, but it’s a lot of fun just the same. The music is by Nelson Riddle. Nat “King” Cole has a gig in the nightclub, The Blue Gardenia. Even Superman (George Reeves) makes an appearance in the film — as the main cop. No cape. No tights.

My recommendation for the evening is to sip a bit of fine rum during the first film and then go all island with fancy rum drinks with the second. Look up such tacky Tiki rum drinks as The Virgin’s Lament or the Missionary’s Downfall. Don’t drive. Don’t commit murder.

Friday, December 30, 2011

Film Pairing — Mystery Women, Are They Only A Dream?

Film critics generally agree these are two of the best films ever made — certainly in the mystery genre. The American Film Institute ranks Laura fourth in best all-time mystery movies. Vertigo is ranked number one. Laura, released in 1944, starred Gene Tierney, (no relation), one of the great, talented beauties of the era. Vertigo, released in 1958, starred Kim Novak, no doubt one of the most beautiful and most box office pleasing movie stars of hers. Both actresses portray illusive, mysterious women, pursued by investigators who fall in love with what is little more than an aura. Unlike standard noir, which Laura seems kin to and the usual Hitchcock approach to suspense, these have an added romantic dimension.

Last October, I listed my top nine crime films — a set of criteria that makes it different from “mystery” movies. If the list had just one slot more, Laura would have been on it. And if I had a vote on anyone’s list, I’d rank Laura higher than Vertigo. The film is based on the book of the same name by Vera Caspary Laura and was nominated for several Academy Awards, winning one for Best Black and White Cinematography. The film was directed by Otto Preminger and has a solid cast. In addition to Tierney as the title character, Dana Andrews plays the police investigator called in to solve Laura’s death, Vincent Price portrays her playboy lover and the incomparable Clifton Webb (nominated for an Academy Award for Best Supporting Actor) plays her mentor. As the story begins we learn that the beautiful Laura has been found dead in her home, shot in the face with a shotgun. Andrews, as an NYC homicide detective, after seeing a portrait of the victim and finding out about her life, slowly falls in love with her. This is a pure mystery. We only know what the investigator knows and we can, in who-dunnit fashion, try to figure out who did it before he does. Though suspenseful, there is considerable wit and humor as well, thanks largely to Webb’s impeccable performance as Waldo Lydecker.

While Andrews becomes entranced with Tierney in Laura, former cop Jimmy Stewart becomes absolutely obsessed with Kim Novak in Vertigo, all the while dealing with guilt over the death of his partner and his increasingly paralyzing fear of heights. Though many film experts claim this is Alfred Hitchcock’s most accomplished film, Hitchcock himself didn’t care for it at the time of its release. In my mind Vertigo is not nearly as good as the more grounded Dial M For Murder. On the other hand it is far better than The Birds and it is a Hitchcock film. What makes it worthwhile for me are Novak, Jimmy Stewart and the rich, San Francisco setting. The film was based on D’entre Les Morts, a novel (The Living And The Dead) by French authors Pierre Boileau and Thomas Narcejac. According to the ever-helpful Wikipedia, Hitchcock had originally wanted to buy the rights to another novel by the French duo, which was later made into Les Diaboliques.

As far as accompanying libations, if you watch Vertigo first, maybe a dry red wine and then a switch to a nice dessert wine for Laura.

CAPTION: (Top) Gene Tierney with Vincent Price in Laura. (Bottom) Jimmy Stewart recues Kim Novak in Vertigo.

P.S. The New Yorker’s film critic Anthony Lane dabbles in film pairings in the January 2, 2012 issue of The New Yorker. He too picked Laura to exalt. But he paired it with Rebecca. Laura is playing now at the Film forum in NYC, he said.