Film Pairings – To Die For and A Kiss Before Dying, Dillon Times Two

As I’ve mentioned too many times before, much of my youth was spent or misspent in the darkened auditorium of downtown Indianapolis movie palaces. My brother and I could catch a an early matinee double feature, then brave the blinding Saturday afternoon sunlight, walk a couple of blocks and take in another double feature. Usually the theater would show one major film, often in color. The second would be a low-budget affair with less famous actors and actresses. That’s how I feel about this pairing.  One is a nearly perfect dark comedy about murder.  The other takes itself quite seriously. Though I liked them both – I’m easy to please – if you have high standards, doing off might not be the worst thing you can do, though the film improves toward the end.

Kidman & Phoenix

Murderous comedies don’t come any better than To Die For. Nicole Kidman plays a beautiful ambitious, marginally bright woman who would do anything to achieve fame.  She marries a handsome young man (Matt Dillon). He turns out to be a major roadblock on her road to stardom. She plots his death. The film is shot in a mock-documentary style that in the hands of others might be disastrous, but with Buck Henry writing the screenplay and Gus Van Sant directing, To Die For is to die for.  Joaquin Phoenix joins the superb cast as Kidman’s lovesick puppet. Casey Affleck is a young tough. The film, based on the book by Joyce Maynard, was released in 1995.

Matt  Dillon

Whereas Kidman’s surprisingly good performance was honored with a couple of awards for playing the shallow narcissus, Sean Young had the dubious honor of picking up two Razzies, one for worst actress and another for worst supporting actress for her performances as twins in A Kiss Before Dying. A reminder:  This is the second feature. You may drift off before they roll the credits.  However this turns out to be mostly worthwhile, largely due to Matt Dillon’s solid portrayal of a man’s obsession to succeed by hook, crook or murder. This is the second film based on Ira Levin’s book of the same name. The earlier (1956) version starred Robert Wagner and Joanne Woodward. This one (1991) was directed by James Dearden, who also wrote the screenplay. The story had a Hitchcock-like sensibility, but played out even more mechanically than those by the master. There are some clever twists and it’s a pleasure to watch the young Dillon at work after his turn in Drugstore Cowboy, and especially after watching him as a more mature character in To Die For.

A white wine, bubbly or not might be an appropriate accompaniment to the first film. Step it up for the second. Or a latte followed by an espresso.

Film Pairing — What We Do For Love Or What's Love Got To Do With It?

They call it a “mockumentary.” Nicole Kidman, in one of the best roles of her career, plays a character who narrates her own shameless path to fame. When she discovers that not only is her husband not the least bit ambitious but also has a desire to have a real family, she realizes he is a drag on her career. Something has to be done. Whether you love or hate Kidman, the movie will work for you, I promise. And in this era devoted to people who will do anything to be famous — and second-rate cheesy stardom is acceptable — To Die For (1995) seems to anticipate our sad, Kardashian world. This smart, dark comedy was written by Buck Henry and was directed by Gus Van Sant. The film also features excellent performances from Matt Dillon as the all-too-average husband and Joaquin Phoenix as the lovesick puppy who would do anything for the woman he loves.

True Romance, 1993, was written by Quentin Tarantino. And there’s no question that director Tony Scott went with the flow. The film reflects the Tarantino spirit. It is funny and brutal. Gratuitous violence? Oh yes. It’s Tarantino’s stamp and there’s plenty of it here. There is also plenty of star power, though many of the big names — Dennis Hopper, Brad Pitt, Christopher Walken, Samuel L. Jackson, James Gandolfini and Gary Oldman, have only brief, but richly rendered appearances. The scene between Walken and Hopper is worth the price of admission alone. At first, I thought Walken was stealing the scene…but Hopper almost evens the playing field. Brad Pitt is hilarious. However, the film is primarily about the characters played and played well by Christian Slater and Patricia Arquette, who like Kidman in To Die For, narrates the story.

In a sense, both films are about what people will do for unqualified love or what they do when they are the objects of that kind of love. And in that sense, even though they are both dark comedies told from the point of view of beautiful blondes, these two films are very different. And after last week’s gruesome twosome, this pairing is lots of fun.

To accompany the first film, my suggestion is have a light beer — maybe pale ale. For the second, go with a Sicilian Red, perhaps a Primitivo.

CAPTION: Christian Slater and Patricia Arquette in True Romance