Showing posts with label memoirs. Show all posts
Showing posts with label memoirs. Show all posts

Monday, November 26, 2012

Observations — Remembrances of Things Beyond My Control


I’m writing my memoirs. 
I know.  Who do I think I am? I am not  famous.  Nor do I know famous people.  And I’ve made absolutely no impact on science or history or anything else that matters.  But I’ve not let that get in my way. 
Here is an excerpt from a draft of Albion and New Augusta (Confessions of a Midlist Writer) about my first, somewhat lonely days at Indiana University.  I had found three other freshmen who knew how to play the card game, euchre.  Having that in common, the four of us formed a tenuous friendship. And that’s how we passed the time, even though studying would have been a better investment.  Of this new group of friends, one stood out.
 I spent a lot of time with Pete, the smart but cynical one.  He was heavyset.  He wore glasses.  He always wore a white, short-sleeved shirt, unbuttoned at the neck, and dark pants.  Always.  He was adamant about having nothing around his neck. During the coldest winter days, he wouldn't wear a scarf.
He was moody, brooding, an avid reader and there wasn’t an easy read in his stack of books.  When we met he was reading Nietzsche, about whom he seemed obsessed.  I wasn’t nearly as well read; but I had devoured plays, especially the "modern" ones, beginning with Shaw and continuing to contemporary British playwrights.   The other two in the Euchre group had no such interests.  Neither did my roommate.  These were the people in my world. I don't believe Pete's social world was any larger. So Pete and I spent time together.
I looked forward to it.  I was more comfortable in matters of the mind as opposed to matters of the heart. I was comfortable with concepts rather than details.  In fact, intellectual matters were preferable given my most recent experience in matters of lovers and family. And like Pete and his Nietzschean mindset, I had no love for the church-going masses.  Right and wrong existed for me, but were notions outside of religion.  And if there was disagreement between Pete and I, we could disagree without a lot of Biblical baggage.  Authority took a back seat to logic.
In other matters Pete was explosive.  He had his personal passion when it came to cards and pool.  A couple of times, when he lost at Euchre, he kicked over the table.  He locked himself in his room once and did not come out for days. I saw that as sulking not depression. On the other hand it was interesting drama in what had otherwise had become a boring routine.  One day he lost a game of pool and snapped the pool cue.  It wasn’t so much that he lost; it was to whom he lost. I was the whom.  Not only were these domains over which he was master, I was just learning the game.  I’ll have to admit that I took some pleasure in surprising him with the notion that luck was sometimes victorious over talent and discipline. He hated the idea of "luck."   It has to do with randomness rather than order.
Despite the flaws, I thought Pete was one of the most formidable and memorable people I had ever met.  That was true until I met his father. I don't remember why I went to Pete's house, but one day, up from Bloomington and back in Indianapolis, I visited Pete at his place.  Maybe school was out. I’m not sure.
Pete's house was in another one of those housing developments in the city with street after street of mostly two- or three-bedroom frame homes. Each had small front and back lawns.  His home, like those of his neighbors, was modest but well built.  If I remember correctly the home was set back, up on a small incline. It had a smooth asphalt driveway, on which was parked a big black two-door Cadillac with black walls and a red light on the roof.
Inside, the rooms were small and seemed even smaller because the furniture was huge. One had to angle through oversized chairs, a mammoth sofa, and a grand piano, not to mention a sweet but overweight Boxer. It was as if Botero was the set designer. Pete’s dad, a doctor, was a deputy coroner for the city.  He was huge and round as well, twice the size of Pete and three times as scary. His hair was closely cropped, he wore a .38, and he smoked a cigar.   Rather, he chewed it.
The three of us had a little lunch.  Pete couldn’t have gotten any smaller.  He — all hunched into himself — looked as if he expected the ceiling to come tumbling down at any moment. He seemed nervous and frightened as his father talked about his work as coroner and as a kind of volunteer physician to the down and out.  As we ate, Pete’s father provided lurid descriptions of prostitutes and the debilitating diseases they were likely to acquire.  At one point, the doctor held up a small carrot stick, using it to show the size of a boy’s penis that he had been describing in a story.  After finishing his sentence, he bit off the tip of the carrot with, I thought, a bit too much exuberance.
This struck me as hilarious. I started laughing, which seemed to further distress Pete. In moments, perhaps realizing what he had done or maybe, fully aware of his purpose and surprised by its effect, the doctor started laughing himself.  He laughed so hard, he turned pink. He lit his dead cigar and invited me to dinner the following Friday.
He would show some family slides, he said, as if this gesture was in response to my questions about his growing up in New York.
When the evening of the dinner came, I was shocked at the way that not only the doctor talked to his wife, berating her, yelling at her in the kitchen, calling her stupid, and worse.  No one came to her rescue. I wanted to say something, but I was sitting next to King Kong.  When dinner was over, the slide projector was set up. There may have been a few photos of the family's earlier days in New York, but the bulk of the show was made up of autopsy slides — graphic, bloody slides of various human organs, sliced and diced, and in various stages in preparation for examination.
I kept a poker face.  I don’t know where or how I learned it, or why I thought it was necessary; but I was determined not to show fear or shock. Another skill I had learned was to go off to some other place in my mind until the unpleasantness had passed. It was a mechanism I would cultivate.  But during the time at the doctor’s house all I really wanted to do was get the hell out of there.
I couldn’t imagine what life was like for Pete and the others in the household.
A lurid torture/murder case that still shocks the city
I had no idea what life was like for the deputy coroner. I didn’t know at the time, for example, that he had been the examiner on the scene when Sylvia Likens’ tortured body was found in an Eastside home.  She had been cut and burned over many days. She died of brain hemorrhage, shock and malnutrition.  The facts of the story — the chief actor in this horrid drama punished the victim on moral grounds — were so tragic, that the drama was made into films, novels and plays.  The Likens case may have been the most gruesome the doctor had to deal with, but his practice exposed him to the most heinous acts on a regular basis.  He, like police and firefighters, witness the saddest, unluckiest and most depraved moments in human existence.  He saw and knew things too impolite for the general public, but perhaps not too impolite for his family. How much of this he brought home, I’d have to estimate from the entertainment after dinner, probably was more than most families needed to know.
I was content to get back to the university in Bloomington.  I had been cast in a Noel Coward play. Much good can be said about the importance of trivializing existence.

Monday, October 29, 2012

Opinion & Blatant Promotion — Creating The San Francisco Series And Other Windmill Tilting



The books for which I’m best known, or to put it another way, the least unknown, are those in the Deets Shanahan series.  The lead character in the ten books that currently comprise the series is a septuagenarian, semi-retired private detective in Indianapolis.  He has a lovely, funny, tough girlfriend, two aging animals and a couple of good friends.  There are other regulars as well. 

I like these people.  And while I may not be done with their antics, writers, like everyone else, yearn after awhile for a little variety in the company we keep or imagine.  I’ve written a couple of stand-alone novels and a few years ago I began a new series set in San Francisco where I’ve lived 16 years this time around.  Unbeknownst to me, the new series began with a standalone novella called Mascara, which introduced a very private eye named Noah Lang and his accidental and originally unwanted friend, a multi-talented, gender-shifting immigrant called Thanh.  Because it was novella length and therefore deemed unmarketable by my agent at the time, the book sat in my computer as both a story and a screenplay.  It did so quietly and no doubt, like a fine wine, aged appropriately. (That’s what I tell myself, anyway.)

When I approached the idea of a new series, I picked the book up again and decided to use this as an inspiration for a full-length book in a new series using those characters. The only change I made was to add a female private eye to the crew.  This was premeditated act, I admit.  I did so for three reasons.  One, I had discovered with the Shanahan series that many of the readers liked Shanahan’s girlfriend, Maureen, so well that there were subtle suggestions I should knock off the old man and set her up as the main character.  That indicated to me that I might be capable of writing a believable female character.  Two, I introduced a female private eye because it was clear that more than half the mystery readers in this world are women. Third, I often write books that have two plots going at the same time.  Having a woman P.I. would give me another angle and greater creative latitude.

Because Noah was already established as unambitious, willing to take short cuts and operating on, oddly enough, his intuition, it seemed like I needed a more professional, principled and logical counterpoint.  Carly Paladino was born.  Cool, cautious and professional, she struck out on her own having reached a glass ceiling at a prestigious security firm.  Both are strongly independent characters. They bring out the best and worst in each other.

Carly Paladino ends up at this down-and-out investigation firm because Noah needed help with the rent.  And she needed an inexpensive office for her start-up business.  It’s a partnership made in a kind of humorous purgatory.

Severn House published the first two in the new series — Death in Pacific Heights and Death in North Beach, both to generally very positive reviews. But these weren’t the books loyal Shanahan readers and underfunded libraries wanted.  Severn House declined a third. The thing is I wanted to see the series continue.  My novella, Mascara, was renamed Mascara, Death in the Tenderloin and published as a prequel novella to the series featuring Noah and Thanh.  I published it myself. 

Penguin picked up the second novella, Death in the Haight, (now available in all e-book formats) as part of their re-launch of Dutton’s Guilt-Edged mysteries.  It focused on a more hard-boiled Noah Lang mystery — prostitutes, rogue cops and baseball.  Much of it takes place at AT&T Park during a Giants-Dodgers game.  I’m also polishing a novella with Carly as the lead.  Death on the Great Highway has to do with big oil, private armies and the murder of a lieutenant governor. I tilt at windmills, often ones that I build myself.

Meanwhile, I have written the first draft of my memoirs.  I can hear you now. What? You are writing your memoirs?  How pretentious can you get?  It’s tentatively titled Albion and New Augusta, Confessions of a Midlist Writer.  And of course I’m exaggerating a little.  I may be somewhat lower than “Midlist.”  No revelations of celebrity secrets.  I know no celebrities.  Nothing of historic importance.  Just summing things up.  I’ll be putting excerpts on this blog from time to time.

If you want to check out the new series — or the Shanahans, for that matter — please go here.  Many are available in trade paperback and on various forms of e-book.  The newest, Death in the Haight, though not on paper, can be found in nearly every existing e-book format for $2.99.

One semi-final note.  I have to admit that I think that Asphalt Moon is one of my better books.  But I was surprised to learn that a used “big print” copy was listed on Amazon for $9,999.00.  Look out, Dickens. Obviously a misprint, but I’d be happy to sell you a couple of copies for half of that.

On the final note, if you’d like to receive these posts automatically (usually Monday, Wednesday and Friday), they can be sent to you automatically by putting your email address in the box on the right, labeled “Follow By Email.” Your address will not be published or used for anything else.