Showing posts with label NUVO Newsweekly. Show all posts
Showing posts with label NUVO Newsweekly. Show all posts

Monday, November 7, 2016

On Writing — Fiction As History

The Early Shanahan novels
Occasionally I receive comments from people who have read some of the early books in my Shanahan mystery series.   These notes usually come from people who live or have lived in Indianapolis. Rarely are the comments about the plot, though critics at the time were complimentary. Some are about the main characters – Deets Shanahan and his love, Maureen.  But most of the sentiment is about bringing back memories. The 11 novels in the series set in Indianapolis cover 25 years in the life of the Circle City beginning with The Stone Veil in 1980. History is an unforeseen, but happy consequence of fiction.
I haven’t been the only one.  In fact I wasn’t the first one or necessarily the most prolific.  The acclaimed Michael Z. Lewin not only originated the first series featuring a fictional Indianapolis P.I., but is also credited with popularizing the idea of a regional P.I. series. Many others followed.  My Deets Shanahan character also came after Lewin’s Albert Samson.

Michael Z. Lewin

Lewin and I are roughly the same vintage. However he began writing younger in his life.  Counting his Leroy Powder cop series, Lewin has used Indianapolis as a setting for 11 crime novels with a history going back to 1971 with his first Samson novel, Ask The Right Question, among those being re-released as I write.

Re-released
I have inadvertently been part of recording this city’s history when, as its first editor, I helped found NUVO Newsweekly, the longest serving alternative newspaper in the city’s history. Long after I was gone it continues to chronicle my hometown and is a powerful, on-going historical reference. However, I would suggest that fiction could go beyond the news as a historical document in many ways by creating the mood, the ambiance and an in-depth characterization of its neighborhoods, restaurants, transportation and particularly its inhabitants.

There are those, of course, who dismiss genre fiction, including the P.I. novel as something less than respectable. The Shanahan mysteries are definitely genre fiction, as are the Samson novels. We gain a sense of the place in time in a way that may not be academic, but in a fluid, experiential way.




Saturday, December 19, 2015

Book Notes – News: Indianapolis Names Park After Noted Hoosier Writer

Kurt Vonnegut

When we think of great writers and where they’re from, we’re likely to think of New York or L.A., or perhaps “The South.” Many great storytellers came from below the Mason-Dixon line. Outside of Chicago, cities in the vast Midwest may not come to mind.  In Indianapolis, few writers have become celebrities.  Most likely we have our own roster of celebrities, most likely a bank robber or a basketball player – not that there is anything wrong with that.  But writers?  Not so much. I’m not sure what they thought when Indianapolis born Kurt Vonnegut and his strange relationship with reality and his powerful defiance in the face of convention first blew the lid off by becoming an international literary legend.

Booth Tarkington
We Hoosiers have a hard time identifying with the arts in general, it seems.  There is an area in Indianapolis known as Butler Tarkington, partly in honor of the university located there and Indiana writer Booth Tarkington who wrote The Magnificent Ambersons. This was a book and movie set in the city’s Woodruff Place when it was at its grandest. And there is a Riley this and a Riley that, alluding to poet James Whitcomb Riley, known for a kind of folksy poetry children are supposed to like, and sadly stereotypical of what it means to grow up in folksy Indiana, very different from Hoosier Dan Wakefield’s most known work, Going All The Way.



In the last few years, as Indianapolis seems to blossom, the city is finally taking note of its wordsmiths. The city hosts the Kurt Vonnegut Memorial Library.  Much more needs to be done. However, in the last few days, the city park at 61st and Broadway has been named the Dan Wakefield Park. Wakefield, now 83, returned to his hometown to work on a book about his good friend, Vonnegut. A comprehensive and worthwhile story about this Hoosier native appeared in this Indianapolis alternative newspaper, NUVO News Weekly.


Dan Wakefield 

Congratulations to Dan Wakefield and to Indianapolis, a city that seems to be awakening to its own greatness.






Wednesday, March 18, 2015

Two Indianapolis Traditions Turn 25, Reflect City’s History

Tackling The Tough Issues

A quarter of a century ago, 1990, my long time dream of starting an alternative news weekly for Indianapolis came true. It was also a passion of another guy, Larry Rainey. I didn’t know him. My good friend, Teri Thompson Crane, who knew of our shared interest put the two of us together.  We visited others who knew something about such an undertaking, content, production costs, marketing, format, design and distribution,  He and I worked diligently as editor and publisher, respectively, to create NUVO Newsweekly, a tabloid weekly that would interrupt the unchallenged dominance of the famously conservative and jointly owned Indianapolis Star & News.
Cutting-Edge Style

As it is with any start-from-scratch publication, the launch of NUVO was rough and wasn’t without its difficulties and soon after, its casualties. Months later, amidst considerable turmoil, Kevin McKinney, who had critical access to funding in the early stages, became publisher and eventually editor as well. He and his staff have given Indianapolis an important alternative voice for 25 years — and counting. Given the entrenched competition and rapidly changing media technology, this couldn’t have been an easy task.  

NUVO is celebrating this unquestionable success this month.  The full story of its birth is worth telling, and I expect to provide perspective on those very early days at some point. But, for now, an unqualified happy anniversary to NUVO!

The Early Shanahans
As NUVO emerged in 1990, so did the Stone Veil. I was honored to have the first in a series of my private eye mysteries set in Indianapolis published by St. Martin’s Press. The book even had the cautious blessing of The New York Times: “The pragmatic investigator makes a good first impression,” it said.  Twenty-five years and eleven Shanahan mysteries later, I can also celebrate its quarter-century anniversary with the release of the series’ last novel  Killing Frost.

Writing the Shanahan mystery novels has strengthened the link I have with the city of my birth.  I grew up on the city’s Eastside and spent many of my adult years working downtown and living in Butler Tarkington and Broad Ripple. I also lived briefly in Fort Wayne, South Bend and Bloomington.  I worked at Merchants National Bank travelling to small town banks all over the state. I worked at Simon during the rebirth of downtown Indianapolis’ Circle Centre Mall project and later still, in state government during the Bayh-O’Bannon administration.  What I observed and experienced in my work and in my personal life became part — ‘grist for the mill” – of Shanahan’s world. The mysteries, taken retrospectively, reflect the history, or at least the feeling of both Indianapolis and Indiana over 25 years as much, I think, as the newspaper I helped bring to life.  Both chronicle the city’s history and — to a greater or lesser extent — are part of it.

I hadn’t thought of the historical aspect when I first discovered that the 25th birthdays of NUVO and the mystery series aligned, but it is clear to me that my connection to the city was at the heart of both undertakings, not to mention that for many of us the cities and towns of our youth are deeply part of who we are no matter where we are.

The Last of the Shanahans
I’ve since moved to San Francisco, writing books set here as well as in Indianapolis. But as I rummage through old photographs, the earliest issues of NUVO and in revisiting my early Shanahan books to prepare them for digitalization, I realize how tethered I am to the people and places in and around the city of my birth.

If the oldest memories die last, then most of mine will be in Indianapolis: Summers at the pool at Ellenberger Park. Cheap matinees at the Emerson Theater.  Being a soda jerk at Laughner’s Steer-In, now Harold’s Steer-In. Crab apples and switches from the tree that bore them. My grandmother’s peonies in May, and the smell of hot starch when she ironed. Riverside amusement park, where water fountains were labeled “ white” and “colored.” My grandfather’s lemonade. Winter nights on my newspaper route, delivering what would be a future rival, the Indianapolis News – Blue Streak Edition. Two little chicks my brother and I got during a supermarket Easter promotion grew up to be large, intimidating roosters that refused to let my mother into her own backyard. It was downtown on Saturday afternoons.  I remember lying about my age and sneaking into the Fox Theater to see the sad, tail end of burlesque, in this case a live show interrupted in the middle by a grainy film, Nudist Colony On The Moon. Other memories: My first visit to the Betty K Club.  My apartment at the Ambassador, where I was introduced to Purple Haze — not the Jimi Hendrix classic, but heroin laced LSD.  My little studio was behind the city’s grand, Central Library, where, in the stacks, I received my real literary education, and a place I still revere as hallowed ground.

There was much more to follow, of course – the Army for one and the whole San Francisco experience for another.  But no matter where we end up, we take with us in one form or another that which moved us  — family, friends, lovers, co-workers, experiences, what we’ve said, what we’ve done and, for better or worse, how we’ve treated others. Roads taken, and so many not taken. 

Twenty-five years ago. Good luck NUVO. Farewell Shanahan. Thank you Indy.





Sunday, September 9, 2012

Observations — Street Art In Indianapolis



Artist Pamela Bliss recently painted a 38-foot-tall mural of legendary Indiana author Kurt Vonnegut as part of the 2012 Super Bowl XLVI public art project. It may be found on Massachusetts Avenue, a bustling street in the exciting Lockerbie neighborhood in downtown Indianapolis.
Dan Wakefield
This photo was included as part of a great story by former NUVO editor and Indianapolis Star writer Will Higgins about the return to Indianapolis of another great Hoosier-born writer, Dan Wakefield. Wakefield, who wrote the best sellers Going All The Way and Starting Over (both made into feature films), returned to Indianapolis to write a biography of his friend, Kurt Vonnegut.

Vonnegut, often compared to Mark Twain, is considered by many to be among the greatest American writers. His novels include Slaughter-House Five, Cat’s Cradle and God Bless You, Mr. Rosewater, among others.

As a writer and human, Vonnegut was often at odds with conventional wisdom.

He called out the year 1492 in his novel Breakfast of Champions.  “As children we were taught to memorize this year with pride and joy as the year people began living full and imaginative lives on the continent of North America. Actually, people had been living full and imaginative lives on the continent of North America for hundreds of years before that. 1492 was simply the year sea pirates began to rob, cheat, and kill them.”

Photo courtesy Indianapolis Star, Frank Espich, photographer. Thanks to cousin Adam Newton for tipping me on the mural.