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One Of The Few New P.I. Movies |
The conventional wisdom — and I buy into it — is that the
American fascination with the private eye is merely the extension of its love
affair with the cowboy. I say “merely.”
I don’t mean “merely” to lessen its value, but to say that the qualities
we ascribed to our western heroes were, as we became a more urban society, appropriated by the private investigator:
Independence to the extent of being a loner and having an independent
code of conduct not necessarily shared by society at large, certainly not by
the authorities. In crime fiction, police are theoretically bound by the law
and supported by network of various institutional professionals. The P.I.
isn’t. The American P.I. is a loner.
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How About A Whistler Film? |
Nothing new here.
But
I was reminded of this and a few other thoughts while watching
A Walk Among the Tombstones the other
evening.
I thoroughly enjoyed the
film.
I was familiar the main character,
Matthew Scudder from reading many of the 17 books in the series by
Lawrence Block.
Liam Neeson played the P.I. in the only Scudder film faithful to
the original story.
What leapt out at me was how many really good American P.I series
novels are out there and how very few films (or TV movies) have used them and
even fewer who created a corresponding set of movies based on those books. I say “American” not out of an excess of
patriotism, but having in mind the number of great crime films made from
English, Scandinavian and other foreign films made from popular books — usually
police procedurals – compared to the vast source material available from 20th
and 21st Century American P.I. writers.
I understand that the new Bosch streaming video based on
Michael Connelly’s popular and award-winning books is doing well. I’ll catch up
soon. But Bosch isn’t a private eye
despite the fact that his self-imposed exile fits the profile. And of course there are all the Hammett, Chandler,
Westlake, (Robert B.) Parker, Spillane and the two MacDonalds movies from the
past. Working in reverse, there are also
many books written based on successful movies and TV shows. And there are some fine original, even
groundbreaking crime fiction dramas made for TV now, right here in the U.S. “The Wire” is a masterpiece. Others have
followed.
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The Tanner Series On TV? |
But again, I’m talking a film, or a BBC-quality television
production or a streaming video
P.I. series
based on a book series.
Seeing Matt
Scudder on screen reminded me of the great P.I.s in books I devoured in the
late eighties and early nineties and how much fun it would be to see them and
no doubt the many I missed realized on the screen. I would love to see Neeson reprise
Scudder fifteen or sixteen more times as he takes on other cases.
But there are others too.
A couple of the fictional private eyes who sustained me as I
began writing my own books and wanted to see what others were doing were Stephen Greenleaf’s John Marshall
Tanner, and Robert Campbell’s “La La
Land” mysteries featuring Whistler.
These are merely drops in the ocean.
The list from which great American fictional
P.I.s might be taken is nearly endless.
And the number of books within any given series could range from three
to more than 100.
I can’t list them all
here.
There are two sites to visit to
get an idea of the potential.
One is the
Private Eye Writers of America PWA web
site.
Check out the Shamus awardees over
the years to get a sense of the best of the genre. The other site is
The Thrilling Detective, a
comprehensive consolidation of news and information about fictional private
eyes.
If you are willing to go on record with your own views, let
me know in the comment section about your favorite P.I series and the actor or
actress you’d like to see in the role.